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by Susan Compo
Jawbone Press (2017)
by Susan Compo
Jawbone Press (2017)
acrylic, oil pastel and spray paint on paper 2016 70 x 50 cm
acrylic, oil pastel and spray paint on paper 2016 70 x 50 cm
acrylic, oil pastel and spray paint on paper 2016 70 x 50 cm
pencil, marker and xeroxed acetate 2016 30 x 21 cm
spray paint on hand cut paper stencil 2015
pencil and marker on paper 2015 42 x 30 cm
pencil and acrylic on paper 2015 20.5 x 21 cm
lithograph 1980 59.3 x 42 cm
pencil, ink and marker on paper 1998
pencil, marker and oil pastel on paper 2001
pencil, acrylic, collage & marker on paper 2012 59.2 x 42.5 cm
pencil, ink and glitter on paper 1999
pencil, acrylic and oil pastel on paper 1994 42 x 29.7 cm
pencil and marker on paper 2007
pencil, acrylic and oil pastel on paper 2003 70 x 50 cm
spray paint on cut paper stencil 2015
70 x 50 cm
hand cut stencil, spray paint on paper 2015
70 x 50 cm
hand cut stencil, spray paint on paper 2015
70 x 50 cm
acrylic and oil pastel on paper 2014
101 x 101 cm
Pencil, marker and acrylic on paper 2015
29.7 x 21 cm
acrylic on paper and xeroxed acetate 2015
29.7 x 21 cm
acrylic on paper and xeroxed acetate 2015
29.7 x 21 cm
acrylic on paper and xeroxed acetate 2015
29.7 x 21 cm
acrylic on paper and xeroxed acetate 2015 29.7 x 21 cm
acrylic on paper and xeroxed acetate 2015 29.7 x 21 cm
xeroxed acetate on coloured paper 2015 29.7 x 21 cm
xeroxed acetate on paper 2015 29.7 x 21 cm
acrylic and oil pastel on board 2003
80 x 60 cm
pencil, marker and oil pastel on paper 2015 42 x 29.7 cm
hand cut stencil, spray paint on paper 2015
70 x 50 cm
hand cut stencil, spray paint on paper 2015
70 x 50 cm
hand cut stencil, spray paint on paper 2015
70 x 50 cm
acrylic on paper 2014
100 x 100 cm
pencil and acrylic on paper 2012
pencil, ink, acrylic and collage on board (illustration for grey gardens poster) 2015
80 x 60 cm
acrylic, pencil, oil pastel and collage on paper 2013
42 x 30 cm
acrylic, pencil and oil pastel on paper 2013
42 x 30 cm
acrylic, pencil and oil pastel on paper 2013 42 x 30 cm
hand cut stencil, spray paint on canvas 2014
91.5 x 91.5 cm
hand cut stencil, spray paint on paper 2014
91.5 x 91.5 cm
hand cut stencil, spray paint on paper 2014
70 x 50 cm
hand cut stencil, spray paint on canvas 2014
70 x 50 cm
hand cut stencil, spray paint on paper 2014
70 x 50 cm
hand cut stencil, spray paint on paper 2014
70 x 50 cm
pencil, marker and biro on paper 2015
59 x 42 cm
acrylic, oil pastel and pencil on board 1997
80 x 60 cm
silkscreen print on paper 2002
70 x 50 cm
silkscreen print on paper 1999
76 x 58 cm
silkscreen print on paper 1999
76 x 58 cm
V&A commission 2013 edition of 300
Masks At The V&A
oil and acrylic on canvas 2016n70 x 95 cm
oil and acrylic on canvas 2016n76 x 61cm
oil and acrylic on canvas 2015n101 x 77 cm
oil, acrylic and metallic spray paint on canvas 2012n101 x 76 cm
oil, acrylic and aluminium paint on canvas 1992n101 x 76 cm
acrylic and oil pastel on paper 2014n101 x 101 cm
acrylic, oil pastel and spray paint on paper 2014n101 x 101 cm
acrylic and spray paint on canvas 2015n101 x 101 cm
acrylic, oil and ultraviolet paint on canvas 2014n128 x 152 cm
oil and acrylic on canvas, plaster masks, replica gun 2013-16noverall 80 x 91 cm
acrylic and oil on canvas 2012n60 x 91 cm
acrylic and spray paint on canvas 2015n128 x 152 cm
acrylic on canvas 2005n79 x 60 cm
acrylic on canvas 2005n75 x 60 cm
acrylic on canvas 2005n101 x 101 cm
acrylic on canvas 2005
acrylic and spray paint on canvas 2006
acrylic and oil on canvas 2014n101 x 76 cm
acrylic, oil and metallic spray paint on canvas 2013n153 x 102 cm
acrylic and oil on canvas 2006n101 x 76 cm
acrylic and oil on canvas 2006
acrylic and oil on canvas 2006
101 x 101 cm
Cassell (6 Oct 2016)
Hardcover: 224 pages
ISBN-10: 1844039277
ISBN-13: 978-1844039272
Plastic prototyping today with a simplified version of the masks….
watch this space for future announcements.Posted by Mark Wardel on Tuesday, 2 February 2016
Words: Ben Lovett
Defected Records commissioned artwork for their Glitterbox parties in Ibiza, and the style is symbolised perfectly by the exotic, entrancing character art of Mark Wardel, the man behind Glitterbox`s distinctive new look.
How did the Glitterbox project come together?
I already knew Mark Herman [Glitterbox’s Creative Director] but hadn’t him seen for a while, until recently. We’d worked together before on Trade during its Nineties heyday. Trade was a bold statement – the first club to have a 24-hour music and dance license [based at Turnmills in London, it pumped hard house to a predominantly gay male audience], and when I saw Mark again we were talking about wanting to do another unique club project. The timing of Glitterbox was perfect; it was a project with an immediate appeal.
The Glitterbox artwork is really distinctive – what was your aim in creating it?
Mark and I talked about Glitterbox’s uniqueness as an event in Ibiza; about its musical heritage but also its otherworldly glamour and edge. There were natural synergies with what inspires me as an artist. The project felt like a natural thing to do and I was very excited to be working back within clubland again after something of an absence. I just submitted the final artwork to Defected this week. There are four different, invented characters. They’re intentionally non-specific; I didn’t want too much detail but did want to reflect different expressions and feelings. The depiction of the characters’ hands is also very important. They’re a gesture about the glamorous, inclusive world of Glitterbox. Ultimately, all of this is my take on what Ibiza means to me which, in line with Glitterbox, is a nod to retro looks and fantasy glam.
And where exactly will we see it?
Well, you’ll see the different reference points of my work right across the summer. Not just on the flags, banners and boards outside the club [Space, where Glitterbox will reside every Friday night from next week] but via the night’s other promotional materials – online for example. Glitterbox has been occupying my creativity for several weeks now so it feels odd to be finally finishing the project…it feels like a bit of a drop actually. But it’s nice that lots of people will see it, and I do have lots of other work coming up.